Op-art and Personal Practices in Contemporary Ceramic Art

Diffractive Art Practices: Computation and the Messy Entanglements between Mainstream Contemporary Art, and New Media Art

We engage with Karen Barad’s notion of diffraction (2007) to re-evaluate the relations between mainstream contemporary art (MCA) and new media art (NMA)1 that have been discussed for many years as part of a somewhat contentious debate. Our diffractive reading highlights both large and small but consequential differences between these art practices. We do not smooth over the tensions highlighted...

Participation in Contemporary Art

This presentation aims at providing a better understanding of the role, origin and evolution of participation in contemporary art with a specific focus on technology and participation. It will also provide an overview of participative art models developed in the last decade and the trend they created.

Critique of Research Books (Art)/ The Art Economics of Art: A Look at Contemporary Art Economics; Markets, Strategies, and the Star-making Systems, Marzieh Eftekhari

Everyday Aesthetics in Contemporary Art

This article examines the relatively new field of everyday aesthetics and its use in artistic works. I argue anyone can have an aesthetic experience regardless of the source, in the sense that it can happen during daily activities and from the appreciation of banal objects. In addition, contemporary art explores the significance of the prosaic and how people react to a new approach that often r...

Modernism in Iranian Art: A Review of Investigating the Contemporary Iranian Art, Masoomeh Babajani and Seyyed Saeed Ahmadi Zavieh

Modernism in Iranian Art: A Review of Investigating the Contemporary Iranian Art Masoumeh Babajani  Master of Science in Arts Research [email protected]   Seyyed Saeed Ahmadizavieh  Faculty Member of the University of Art [email protected]   Abstract   Investigating the Contemporary Iranian Art is an attempt for a systematic analysis of Iranian art, culture and society, which h...